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antonio galluzzi

Antonio Galluzzi

The howl of Godzilla


Galluzzi after frequenting the academy of Belle Arti in Brera, has numerous exhibitions of his work both personal and collective.
In 1993 he founded togheter with Franco a group called Interzone, under that pseudnoym his art was wildly exsposed nationally and internationally.

He was able to continuosly find original veins of expression that captured artistic interest.

Some of their Art Video work is beeing aired on various important television networks.

The latest research of Galluzzi, wich started more than 20 years ago, has brought him to the forefront of the world of digital art.

The components of his compositions have a very researched balance.
His new white tones are dazzaling and make a striking counterpoint with the material, his mode of expression is between fullness and emptiness, a confrontation between everything and nothing, opposites locked in an eternal conflict.

Galluzzi has returned thru the avantgarde use of tecnologhical instruments to an occupation with the evanescence of the material.

In the confront of his art, one asks oneself what substance are the figures composed of, marble and flesh? Of fog and human skin? Of stone and smoke?
But this is OUR own question, one wonders what is his.

Always the material corresponds to the spirit (white and colors), so his question is perhaps, "from wich substance are made the gods?".

Galluzzi imagines to be close to the abyss, where all the elements that make up history live, and to break them to find the cracks in the scheme of things.

His works are the howl of Godzilla.

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Main Solo Exhibitions

1996

Interzone, Care Of, Cusano Milanino (MI) I

Interzone, Zoo Artecontemporanea, Bologna I, presentazione di Roberto Daolio

2001

Gelidi Roghi, 8 giugno, Galleria E- Studio, Milano, cat.

Main Group Exhibitions

1994

Molto diligenti Osservazioni I, a cura di Emma Zanella Manara, Civica Galleria d’Arte Moderna, Gallarate (VA) I, cat.

Molto diligenti Osservazioni II, a cura di Emma Zanella Manara, Civica Galleria d’Arte Moderna, Gallarate (VA) I, cat.

Degenerata, Arte e Politica, a cura di Mauro Manara, Castel San Pietro Terme (BO) I, cat.

1995

Piercing, a cura di Alessandra Galletta, Viafarini, Milano I

Messe 2 OK, Talking The economics, Kunstmesse, Köln D

1996

Time Code. Visioni e televisioni contemporanee, a cura di Alessandra Galletta, Iperspazio, Milano I

Interplace Access, documentazioni di organizzazioni, No Profit, Progetti gestiti da Artisti tra Europa e N.Y., Viafarini, Milano I

1997

Underover, Giovane Creatività Sottosopra, Bologna I; Arte X Tutti, a cura di Loredana Parmesani, Palazzo Soave, Codogno (Lodi) I, cat.

Univideo. Festival Universitario del Video, Università di Pescara, Pescara I

Degenerati! Un secolo di Espressionismi, in “Le notti dell’Angelo”, Emittente Italia I, 7 nov. 1997

3-Dime, a cura di Alfredo De Paz e Fabiola Naldi, Bologna / Imola I, cat.

1998

Frame, a cura di Fabrizio Basso e Silvia Cini, Roma. 2000 Brescia Music Art, Brescia 15/25 maggio

Preview, XIII Edizione della Rassegna di Arte Contemporanea a cura di Gino Giannizzi e Mauro Manara, Castel S. Pietro Terme, Bologna.

Speeches and texts of Interzone

1996

"Lasciatemi Pensare", intervento, n. 6, anno II, maggio. 1996 Compartments, Book Copenhagen DK.

Annotated Bibliography

1994

Molto diligenti Osservazioni I, a cura di Emma Zanella Manara, Civica Galleria d’Arte Moderna, Gallarate (VA) I, cat. della mostra

Molto diligenti Osservazioni II, a cura di Emma Zanella Manara, Civica Galleria d’Arte Moderna, Gallarate (VA) I, cat. della mostra

Degenerata, Arte e Politica, a cura di Mauro Manara, Castel San Pietro Terme (BO) I, cat. della mostra

Arte X Tutti, a cura di Loredana Parmesani, Palazzo Soave, Codogno (Lodi) I, cat. della mostra

1997

3-Dime, a cura di Alfredo De Paz e Fabiola Naldi, Bologna / Imola I, cat. della mostra. 2000, Preview a cura di Gino Gianuizzi e Mauro Manara, scritti di Elena Bordignon, Castel S.Pietro Terme (Bo)

Reviews

1994

in "Flash Art", Giancarlo Politi Editore, Milano, n. 187, ottobre 1994

in "La Repubblica", 15 sett.

in "Segno", Pescara, n. 136, ott. 1994

in "Juliet", Trieste, n.70, dic. 1994

in "Titolo", n. 16-17, 1994

in "Il Messaggero", Roma, 27 ago. 1994

1996

in "Il Manifesto", Roma, 16 apr. ’96

in "Flash Art", Giancarlo Politi Editore, Milano, n.198, luglio 1996

1997

in "Art Press", n. 222, mar. 1997

in "Flash Art", Giancarlo Politi Editore, Milano, n. 201, gennaio 1997

in "Flash Art", Giancarlo Politi Editore, Milano, n. 202, febbraio 1997.




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